This theatre production is based on Alan Bleasdale’s TV series, originally written in the 70s with Bleasdale recognising the looming issues of unemployment and economic hardship. It was eventually broadcast in 1982 at the height of the recession, and was widely critically acclaimed.
Adapted for the stage by James Graham, this new production, directed by Kate Wasserberg couldn’t be more timely as it resonates with current issues.
The production is based on the lives of Liverpudlian working class men losing their jobs and trying to earn a living during the recession in Thatcher’s Britain, with unemployment significantly high, and more than three million out of work.
The industrial style stage set created by Amy Jane Cook really complements the harsh reality of life depicted in the scenes. When the men are called to the ‘dole’ office – which happens with increasing regularity – the set cleverly turns into the Department of Health and Social Security offices where people were treated as a number and not a human being.
The audience gets to know each of the characters during the first act, with all of them looking for work. The most heartwrenching story throughout is Yosser’s, who termed the catchphrase “Gizza job” in the 80s. “Gizza job, go on, giz it, I can do that” – at first it is funny, but becomes desperately sad as reality sets in.
Yosser, played by Jay Johnson, struggles with job rejection after rejection. At first he laughs it off, but the cracks start to show as the knock backs start to take their toll. His way of dealing with things is to head butt anyone who gets in his way.
The audience bears witness in the decline in Yosser’s mental health. The most moving part of the show is the exceptionally choreographed fight scenes set in slow motion with Yosser and the police.
Chrissie, played by George Caple, is offered legitimate work but feels unable to take it due to loyalty to his friends and a lack of trust with boss Mr Malloy, one of many parts played excellently by Sean Kingsley. This causes problems with his wife Angie, played by Amber Blease, who also plays many strong roles in the production. She eventually confronts Chrissie, creating some really emotional moments.
Dixie, played by Mark Womack, takes on illegal work as a night shift worker down at the local docks and gets drawn into further illegal activity.
George, played by Ged McKenna harks back to how things used to be and struggles with how things have changed significantly during the recession. He and his son, Snowy, played by Reiss Barber take on work whilst also being in receipt of social security payments, but the dole office send out spies to the operation, leading to a tragic ending.
Set at a time of severe hardship, this stage adaption is heartwarming, funny and at times desperately sad.
★★★★★
Boys from the Blackstuff is at Derby Theatre until Saturday, April 19.
Tickets £32-£37
